





And Tango Makes Three by Peter Parnell and Justin Richardson. As much as some people disapprove of it, there are kids out there with homosexual parents. Why can't these kids have a picture book that they can relate to? Furthermore, why can't other kids read it to learn about acceptance and differences? Whenever I'm blessed with a child, I know this will be on our bookshelf.



Make sure you have believable stakes. If your first pages don't set up a scenario where the stakes are high, than the reader is most likely going to ask a million questions. Like: why does she have to take on her sister's persona? Or: Why didn't she just stay in protective custody?
If you have a series keep the story lines fresh, dig deep for new ideas, and turn one of your characters into someone completely different. It's hard to continuously pull in a reader when you're regurgitating the same old plot line. So, if you have a series and it's based on witches, vampires, werewolves, selkies--whatever, look up some old myths and look up other creatures that might have something to do with your supe of choice. Oh, and it never hurts to make a character who was once a goody two shoes a bada** mo fo. That will definitely keep things fresh.






You see, we spent pretty much the whole time asking: "Why did she do that?" "Why did he do that?" "Why did they do that?" "Why didn't we see Contagion instead?"
Every question (aside from the last one) had something to do with character motivation. Quita and I were clueless about what these characters wanted, and why they reacted the way that they did. On the plus side, it helped us reflect on the characterization in our own writing. This movie proved to us that CHARACTER MOTIVATION is crucial in making your story believable...and if you want yours to shine, here's what you need to do:
1. Ask yourself what does your character want. Well, duh. But this does not always have to happen in your first draft. The first draft is for you to figure out everything--almost like a getting to know you phase with your characters. The revision process is when you really understand your characters. So help us, the readers, understand them through their thoughts, their dialogue, and their actions.
2. What is standing in your character's way? At some point in the movie, something really awful happens to the Kate Bosworth character--and then she makes a decision that completely baffled Quita and me. We didn't understand her obstacle because...well, her character was pretty muddled and lame. So once you've established what your characters want on the page, the obstacle should be just as clear. But it should also make sense. If your character has a terrifying fear of cats, don't make him just enter a room with a bunch of strays to create an obstacle. Why does he need to be in that room?
3. What would your character sacrifice to get what he wants? If you've seen the previews to Straw Dogs, you can safely assume that there is a LOT of sacrificing going on. But Quita and I still didn't get it. Again, this is because we were clueless about ANY of the characters' motivations. So, if tips #1 and #2 were done in a clear, yet creative, way--we're going to understand why your character sacrifices his safety and freedom to run his truck through a farmhouse (this may or may not have happened in Straw Dogs).
Quita and I aren't fans of being spoon fed information in stories, but we have to understand the point in order to enjoy it. Oh, and since I did mention Mr. Skarsgard in the title, I only think it's fair to include a small sample of him in the movie:
I've never been of fan of Eric from True Blood, but I'm telling you that scene had some serious eye candy.
Now where was I?? Oh yes--motivation! What are your thoughts on it, lovelies?
Reading Song of the Day: "Boys" by Britney Spears
Writing Song of the Day: "Deja Vu" by Beyonce
Writing Song of the Day: "Wake Me Up When September Ends" by Greenday
Writing takes on a new form of therapy for those who read. Think about Peter Negron. The thirteen year old read the poem "Stars" by children's writer Deborah Chandra two years after his father was killed in the 9/11 attacks. That poem helped the teen to relay how he was feeling after losing his father. It offered a form of release, of understanding that two years earlier, Peter did not possess.
Boy Toy by Barry Lyga : Pretty much any book about a child or a young student being molested by a teacher seems like it would come off "messagy". But according to Pam, this book doesn't. It helped her to make sense of why children/teens blame themselves and the healing they go through in order to move on.
The Iron King by Julie Kagawa: Pam discussed before why she loved this book so much here, but she will add that it's one of the rare fantasy books that hooked her from the beginning and never let go.



A pool party?


The Earth, My Butt and Other Big Round Things by Carolyn Mackler: This grabbed both of us when we attended SCBWI's LA conference in 2010. We've spent some time having round bodies (me, still have it...Pam, not so much--skinny bee-yatch), and seeing that there was a WHOLE novel about a character who had a round butt made us pretty much squeal!